Glaze thoughts 8/1/2020
Glaze, the impervious layer that hugs
its ceramic core. Glaze, the glistening coating that makes pottery
glow with an aura of it's own. Glaze, the soft skin whose surface we
kiss with each sip of a vessel.
Oh, but what is glaze?
An archaic rock? A splintering glass? A cascading liquid?
Glaze, the shape-shifter of the ceramic
world should never be defined as merely one thing, for it's magic
lies in it's transitions.
Feldspar, the Earth's ready made glaze.
It's a glaze cake mix, that you can add your own ingredients and or
subtleties to. Responding consistently to the cooking process
feldspar's form the foundation of many recipes. This mineral starts
it's journey deep within the Earth's mantle. A magma soup of silica,
aluminum and various metal oxides, together they dance around a
revolving sun of iron and nickel. This swirling pool of liquid rock
will occasionally peep it's head out into the caverns below our feet.
Constantly creeping, it will carve it's way through through
impassible rock, occasionally climaxing to spill onto the Earth's
surface. Once this fierce demon from the underworld has grown tired,
it will cool, leaving veins of petrified feldspar in its wake. From a
liquid to a solid this glaze rests in it's new settled state. Keen to
sleep, the being rests, not waking for eons.
Our eyes rest upon a rocky outcrop.
Fire and brimstone made dormant, the view is calm yet menacing. The
splintered slab stands defiantly, tantalizing us with what it hides
beneath it's shawl. Our eye's rest upon a white seam stretching the
length of the volcanic tomb.
There it is.
There it is.
We thrash at the Earth till we shave
off fragments of this glorious feldspar. From fragments, we make
powders and from powders we make glaze.
Glaze, the cream for which our pots
will be smothered in. A white,viscous liquid it firms as it touches
the dry barren clay. Together, the glaze and the clay will forever
consummate their connection within the kiln firing.
Whoossssssh.
The burners light. A flame's tongue
whips around the kiln flooding the pot with an amber glow. Slowly as
the inferno blazes, the feldspar feels itself transitioning into a
new state. No longer a dry powder it forms into a molten mass. Free
to finally move, the glaze draws itself closer to the Earth from
whence it came. Dripping slowly the glaze is self-governing and
loose, the material's agency is restored.
STOP. Gas burners, halted. Flue's
closed. Cool down begins.
The pot holds it's amber glow, the
feldspar fusing into long glass chains, finally we have a glaze.
I'm always in awe at what can survive
the violence of a kiln firing. 1280 degrees of flame and damnation is
a lot to overcome. Strontium, calcium, tin, these are all elements
that would have combusted long before we could reach our target
temperature. To survive a kiln is to survive the nine rings of hell.
Birthed in the scorched cauldron of our inner planet feldspar's
continue to overcome the greatest of stresses. Much like the phoenix
through flame and fire they rebirth into a new, more astonishing
form. They are godly. This material endures pain, torment, and stress
and yet leaves with kiln with such beauty, such grace, such subtly
that you start that think it feels at home in the cauldron.
"Your energy charges my voice, it radiates my heart;
Now I am alive with the ore of words pouring
From my lips like molten lava glittering with joy.”
Jalāl ad-Dīn Muhammad Rūmī, Words of paradise
Feldspar crystal (18×21×8.5 cm) from Jequitinhonha valley, Minas Gerais, southeastern Brazil
IMAGE 1
Photocredit @/janellelow_ http://www.janellelow.com/
IMAGE 2
Image source (https://upload.wikimedia.org/wikipedia/commons/1/1d/Feldspar-Group-291254.jpg)
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